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A film crew works near Inya Lake. Pic: Aye
Zaw Myo |
IGNORING the glaring sun, a crowd of people has gathered on the
banks of Inya Lake in central Yangon. However, they are focused
not on the beauty of the lake’s waters but on a small group
of filmmakers working on a local movie.
The work-in-progress is called Heartbroken Comedian (a thae
kware lu shwin taw), the latest project of popular director Nyo
Min Lwin.
Also on the scene is supporting actor Ko Zaw Zaw Aung, who says
that although he and the other crewmembers do not mind working
in front of onlookers, they would prefer to shoot inside or at
least in a small town.
“It’s fun to shoot outdoors, but to do that we have
to think about the weather situation,” he says.
But the weather isn’t the only difficulty faced on outdoor
sets, he adds. Other challenges include keeping the spectators
quiet and dealing with late-arriving film crews.
“When we’re shooting in Yangon, most of the crews
don’t show up when they’re supposed to because they’re
working on two or three movies at the same time,” Ko Zaw
Zaw Aung says. “But when we travel to others towns to shoot,
we don’t have this problem.”
Another supporting actor, Ko Nay Lin, agrees, explaining: “When
we work in other towns, we all stay in the same place, so the
whole crew arrives on location at the same time.”
Crewmembers say that people who have never participated in a
film shoot might think it would be a fun way to pass the time,
but in reality making a movie can be a painstaking and tedious
process where scenes often have to be shot again and again until
they’re perfect.
During a day of shooting, actors who are not participating in
the particular scene being shot at any given time usually overcome
their boredom by sleeping.
Some actors describe the days spent on location as passing by
as slowly as molasses. Breakfast and lunch seem ages apart, but
when lunch does come, the stars are no longer the centre of attention.
All eyes fall upon the caterer.
When lunchtime approaches during the shoot on the banks of Inya
Lake, everyone gravitates towards a middle-aged woman who, with
a tired but friendly look on her face, doles out big bowls of
rice and curry to a crew ravenous from a long morning of work.
“I’ve been selling food at film shoots for a long
time and I like it,” says the caterer, Daw Myint Thein.
“It’s more like a family than running a business.
I have to go places with them and it’s fun to move along
with them. Though it would be hard for us to move around carrying
pots and pans, the movie crews help us out and it is more like
being on a trip.”
One of the spectators, 21-year-old university student Ma Aye
Aye, says seeing the film shoot is a unique experience that she’ll
never forget.
“I’ve never seen a movie star like Tun Tun in person
but now I have the chance to see him close up and take a picture
with him,” she says.
Movie fans aren’t the only happy people on the scene.
Nearby photographers are quick to take advantage of the business
opportunities the film shoot offers.
Ko Tun Tun, a photographer who makes his living taking pictures
of people on the banks of Inya Lake, says film shoots can be a
goldmine for people like him.
“Most of the onlookers want to have their picture taken
with the movie stars so they ask us to take the pictures for them,”
he says.
However, not everyone on the scene is happy. With some of the
shooting taking place on the road and thereby disrupting traffic
patterns, many taxi drivers say they feel such activities are
a burden.
“Shooting in a park or other place doesn’t affect
me but when they shoot on the road, sometimes it causes a traffic
jam,” says taxi driver Ko Soe Paing. “So I would say
that I am not really happy with some of the shootings.”
However, Ko Soe Paing’s grumblings turn to a smile a few
moments later when one of the movie fans approaches to negotiate
a ride downtown, showing that film shoots provide incomes not
only to movie stars but also to local businesses.
And the joy they give to onlookers, well, that can’t be
measured in mere kyats.